Praised for his “brilliant voice” and “masterful acting,” American tenor and actor Ethan DePuy (He/Him/His) brings his unique dramatic style to works ranging from the Baroque era to now.
DePuy trained as a young artist at the Chautauqua Opera Company, where he was a recipient of the Young Artist Encouragement Award. His list of credits includes Nemorino in L’elisir d’amore, Peter Quint in The Turn of the Screw, Alfred in Die Fledermaus, the title role in Albert Herring, Don Basilio in Le nozze di Figaro, Jaquino in Fidelio, King Kaspar in Amahl and the Night Visitors, Dr. Caius in Falstaff, and Chevalier de la Force in Dialogues of the Carmelites.
His regional theater credits include Sweeney Todd (Pirelli/Fogg) and The Manic Monologues with Moonbox Productions in Harvard Square, Fiddler on the Roof (Motel) and The Music Man with Charlottesville Opera, and The Museum of Broken Relationships with SpeakEasy Stage. He is a proud member of Actor’s Equity Association.
Mr. DePuy has also established himself as a presence on the concert stage, where highlights of recent seasons include performances of Orff’s Carmina Burana, Bach’s St. John Passion, St. Matthew Passion, Easter Oratorio, and Mass in B Minor, Handel’s Israel in Egypt and Messiah, Mozart’s Requiem, Solemn Vespers, and Coronation Mass, Schubert’s Mass in G, Haydn’s Seven Last Words, Rachmaninoff’s All Night Vigil, Monteverdi’s Vespers, Stravinsky’s Mass, Buxtehude’s Membra Jesu Nostri, Charpentier’s Messe de Minuit, the Evangelist in Bach’s St. John Passion and Christmas Oratorio, and the title role in Handel's Judas Maccabaeus. He has performed as tenor soloist with the Boston Modern Orchestra Project, Music at Marsh Chapel, Emmanuel Music, Providence Baroque Orchestra, Arcadia Players, Boston Landmarks Orchestra, Des Moines Choral Festival, CT Early Music Festival, Handel and Haydn Society, and American Bach Soloists.
A native of Rochester, NY, Ethan earned degrees from SUNY Fredonia and Arizona State University. In addition to his teaching at the Holden Voice Program at Harvard, Ethan maintains a thriving voice studio at Concord Academy. His pedagogy takes a diagnostic approach focusing on naturalistic, relaxed vocal production and its relation to communicative performance across multiple genres. Visit ethandepuy.com/thedepuystudio for more info.
DePuy trained as a young artist at the Chautauqua Opera Company, where he was a recipient of the Young Artist Encouragement Award. His list of credits includes Nemorino in L’elisir d’amore, Peter Quint in The Turn of the Screw, Alfred in Die Fledermaus, the title role in Albert Herring, Don Basilio in Le nozze di Figaro, Jaquino in Fidelio, King Kaspar in Amahl and the Night Visitors, Dr. Caius in Falstaff, and Chevalier de la Force in Dialogues of the Carmelites.
His regional theater credits include Sweeney Todd (Pirelli/Fogg) and The Manic Monologues with Moonbox Productions in Harvard Square, Fiddler on the Roof (Motel) and The Music Man with Charlottesville Opera, and The Museum of Broken Relationships with SpeakEasy Stage. He is a proud member of Actor’s Equity Association.
Mr. DePuy has also established himself as a presence on the concert stage, where highlights of recent seasons include performances of Orff’s Carmina Burana, Bach’s St. John Passion, St. Matthew Passion, Easter Oratorio, and Mass in B Minor, Handel’s Israel in Egypt and Messiah, Mozart’s Requiem, Solemn Vespers, and Coronation Mass, Schubert’s Mass in G, Haydn’s Seven Last Words, Rachmaninoff’s All Night Vigil, Monteverdi’s Vespers, Stravinsky’s Mass, Buxtehude’s Membra Jesu Nostri, Charpentier’s Messe de Minuit, the Evangelist in Bach’s St. John Passion and Christmas Oratorio, and the title role in Handel's Judas Maccabaeus. He has performed as tenor soloist with the Boston Modern Orchestra Project, Music at Marsh Chapel, Emmanuel Music, Providence Baroque Orchestra, Arcadia Players, Boston Landmarks Orchestra, Des Moines Choral Festival, CT Early Music Festival, Handel and Haydn Society, and American Bach Soloists.
A native of Rochester, NY, Ethan earned degrees from SUNY Fredonia and Arizona State University. In addition to his teaching at the Holden Voice Program at Harvard, Ethan maintains a thriving voice studio at Concord Academy. His pedagogy takes a diagnostic approach focusing on naturalistic, relaxed vocal production and its relation to communicative performance across multiple genres. Visit ethandepuy.com/thedepuystudio for more info.
